Work on ideas worth doing.

Make every London shoot happen and every London edit land on time. The hands on set at Oxford and in the studio, and the fast cut that keeps the archive growing.

• Two to five years in video. Sony or Blackmagic. Premiere or Resolve.
• Can direct a nervous academic and make them look good.
• Cuts long form into short form without being told twice.

Take one Oxford Talks talk on YouTube. Send the best 60 seconds and the thinking behind it, with a two-camera shoot plan for a studio interview. No CV shows the eye. The cut does.

Build the Fellowship pipeline from nothing, and sell the panel and speaking places at Davos. Take selling off the founder’s desk.

• Has sold £25k to £100k packages to founders, CEOs and partners. Relationship deals that close in weeks.
• Built a pipeline from nothing before. At ease on the phone and in the room.
• Wants the commission, not the title.

A 30-minute pitch of the Fellowship to a sceptical CEO. Then a written 90-day pipeline plan: who, how many, in what order.

Turn the archive and every new talk into daily distribution on YouTube, LinkedIn, Instagram and TikTok. Grow the audience that brings the Fellowship its enquiries.

• Has grown a thought-leadership or B2B account and can show the numbers.
• Cuts and captions without needing an editor for every post.
• Taste. Oxford Talks is not a meme account.

A two-week content plan built from our library, and three captions in the Oxford Talks voice.

Deliver Davos 2028 as the flagship, and run the calendar around it: the Oxford and Harvard filming days, the Fellowship gatherings, every partner deliverable.

• Has delivered a flagship international event with sponsors and a seven-figure budget.
• Owns suppliers, contracts and run of show without drama.
• Has worked Davos week, or something like it. Calm under a live-event clock.

A skeleton run of show and budget for Davos 2028, produced in one week from a short brief.

Keep and grow the relationships that make Oxford Talks credible: the universities, the sponsors, the media partners. The keeper, not the closer.

• Has managed university, sponsor or media partnerships at a senior level.
• Patient, precise, remembers everything.
• Comfortable representing the founder in rooms the founder used to be in.

Map ten target partners for Oxford Talks, and write a renewal plan for the existing ones from the public record.

Post-production capacity under our Head of Post Production, so turnaround never slips as the volume grows.

• Premiere or Resolve. Fast, clean, consistent.
• Has cut talking-head and event content for social.
• Works well remotely, and on time.

The same cut: the best 60 seconds of an existing talk, and the reasoning.